The Role and Contribution of Art To The Development of Tourism – Industry Arts

The ongoing discussion is pointing out the benefits of Art to the tourism industry. The works of art produced by artists have developed the tourism industry in various ways.i. Provision of employment for retailers, revenue collectors, service providers etc.
ii. Generating revenue for the district assemblies.
iii. The attraction of foreign exchange.
iv. Promotion of culture.
v. Promotion of friendship and cordial relations
vi. Provision of employable skills.
vii. Reduction of poverty.i. Provision of EmploymentThe works of artists have provided employment for countless people in the society via the tourism industry. For instance, retailers who purchase the works from artists and sell them to the tourists earn money in terms of profits gained to fend for themselves and their families. Service providers earn a living through the discharge of various duties to the tourists in their lodging, feeding etc. while the work of revenue collectors wouldn’t have been necessary if these tourist sites were not available as well as works of art were not produced. Most of these revenue or tax collectors gained their employment as a result of these tourism attractions.ii. Generating Revenue for the District AssembliesThe various district assemblies in the Metropolises in countries generate revenues from the fee charged per tourist who tours historic and cultural sites in their territory. Also, artists whose works are patronised by the tourists have their studios located in the district assembly. They also pay taxes to the various district assemblies. These revenue generated can be used by the district assemblies for developmental projects in their district such as the construction of schools, hospitals etc.iii. Attraction of Foreign ExchangeForeign exchange is earned by artists, the communities and the nation as a whole when tourists visit the country to see these tourist sites and the works of artists. These foreign exchanges help in catering for several thousands of people. It also ensures the development and provision of social amenities for a country.iv. Promotion of CultureThe various sites where tourists visit in the country are all historical and cultural sites. They educate the tourists about the rich cultural heritage of a nation such as our historical leaders and events, religion, norms and values etc. as a people. The artefacts that they purchase from artists also portray our culture through the use of visual images and symbols. This ensures the promotion, sustenance and transmission of a country’s culture to various countries of the world.v. Promotion of friendship and cordial relationsThe use of art in the promotion of the tourism industry and also enhances the friendship that exists between various countries of the world. Through the countless artefacts that the tourist purchase and send to their various countries, they come to appreciate and understand their culture. This appreciation, in turn, builds and strengthens the friendship ties among nations, opening several business transactions and avenues partner countries.vi. Provision of employable SkillsWorks of art have offered numerous employable skills to people in the tourism industry. Both old and young ones acquire skills that can help them to gain employment easily in firms and industries through the art productions. These individuals now have skills that they can work with to cater for themselves without being a burden to the state or resorting to any social vice.vii. Reduction of PovertyThe poverty rate in the country is really lowered due to the artefacts produced for the tourism market. The income generated by artists, district assemblies and the Government has really decreased the poverty ratio in the country. Today, millions have been freed of the stings of poverty due to the transactions in artefacts that they do in the tourism industry.It is an undeniable truth that art has raised, promoted and contributed significantly to the sustenance and advancement of the tourism industry in Ghana.

Things To Know About Venetian Art Beads – Industry Arts

The history of bead making in Venice dates back to the times of Marco Polo. It was during those times when he returned from Asia with the beads of Asia. Both in Murano and Venice, the beading industry mostly employed women. When you look at the pictures of bead making in Venice in the 20th century, you can mostly see women working with beads while caring for their children. Until the 1930s, the conterie industry which is also known as the seed bead industry sustained the glass industry of Venice. During the World War, the people of Venice did not have enough time to build up the industry, but after 1930s, as many as thirty companies can be seen throughout Venice which makes art beads and employs hundreds of women.Venetian art beads are quite popular today. Here is a brief introduction for people who are looking to find out information on Venetian art beads.These days, most of the Venetian art beads are made on copper mandrels. It was in 1920 when the Moretti family introduced the copper mandrel in Murano. This was introduced as a cost effective art bead making technique in the industry. Before the introduction of copper mandrels, art beads were made by using metal mandrels which were coated with white paste. In those days, this technique was regarded as revolutionary because it did not require any kind of preparation and there were also no laws related to the environment.Today, the Venetian beads are quite expensive. There are many factors which contribute to the high price of the beads. Firstly, it is the cost of labor. Secondly, it is the availability and desirability of the item. In Venice, beads are handmade and there are just a few which can be made in a day. On the other hand, in Czech Republic, these are made by machines in factories and therefore the price is also not that expensive as compared to in Venice.Handmade Venetian beads are all different. No two beads are exactly the same. They differ in size as well as in shape. Machine made beads on the other hand are all the same. The variations that can be seen in hand made art beads are not imperfections. It is simply that they have been made by hand.Some of the Venetian art beads are also known as lampwork beads. The name ‘lampwork’ is given because the beads are made over a flame. Flame is used to melt the glass and allow the glass to take the form of the beads. These days, natural gas is used to generate the heat that is required in making lampwork beads.

Pursuing an Education and Career in Game Art and Design – Industry Arts

The video game industry has a large global market, which creates numerous career opportunities. The work completed to develop and design a game takes numerous professionals focusing on the aspects that make game play possible. To enter this field students will need to obtain certain skills that can only be obtained through higher education. Pursuing an education and career in game art and design can easily be done by first researching the available options.The optional programs that students can enter include several concentration areas and degree levels. The primary options that can be completed inside vocational colleges are at the certificate and associate’s degree level. Within training students can work through programs that focus on game art and design such as game software development and video game design. Each area although highly interconnected explores a wide range of topics and skills associated with the industry to prepare students for careers. Educational programs train students to understand the techniques used to implement the base codes and the graphic design features utilized to design games. Students should consider all educational options to ensure the programs completed help them reach their career goals. Possible career options include becoming:
Level Designers
Video Game Programmers
Game Interface Designers
Students can enter jobs that pertain more to the programming side of the industry or focus on obtaining positions related to the creative side of the field. Both reward students with lucrative careers in this continually growing field. Programs develop the knowledge of all the key areas that need to be mastered. Students that start their educational training in vocational colleges will graduate with the knowledge to understand the latest techniques and technologies.Video game and development programs provide entry-level knowledge in programming, software engineering, and multimedia design. Students gain the ability to develop games using multiple computer environments. This often includes using digital media and different desktop software. Programs are concentrated on making students confident when using digital graphics and design principles. To establish career skills and confidence, programs incorporate numerous courses dedicated to the technical side of the field. Students work through courses that cover interactive multimedia, web animation, C++ programming, and 3D modeling. The concepts of game development are explored when students learn about the theories of game play, artist collaboration, and intricate storytelling. Students that step into programming careers will write the codes that make game play possible. The work completed can include storyline maps and character composites.The more creative aspects of the industry are explored and learned inside video game design programs. Students receive practical training that provides them in depth education in digital animation, scriptwriting, and character development. The technologies of the field are used to prepare students for careers. Animation software packages and scripting languages are major areas studied within a program. Computer skills are essential in this industry and students will explore the different components of the field through specific courses. Topics may include level design, photo editing, and game texture mapping.Further training in game art and design can be pursued at the bachelor’s and master’s degree level. Training is crucial to professional success so students should begin learning about how to create video games by enrolling in accredited college programs. The National Association of Schools of Art and Design (http://nasad.arts-accredit.org/) and other agencies, are approved to qualify game art and design schools and colleges that offer a quality education for full accreditation.DISCLAIMER: Above is a GENERIC OUTLINE and may or may not depict precise methods, courses and/or focuses related to ANY ONE specific school(s) that may or may not be advertised at PETAP.org.Copyright 2010 – All rights reserved by PETAP.org.

Art Schools – The Artist’s Choice! – Industry Arts

Is Art School necessary to be a good artist?Being creative or artistic is truly a gift, a talent. But as with any talent, it needs to be tempered, honed, and optimized. Without proper training, one might never achieve the potential he or she was born with. And to help you hone your talents, you will need a good Art school!Any educational institution that offers training in the arts may be called an art school.They may offer vocational, undergraduate, or graduate and even post-graduate courses.These schools focus their trainings on the visual arts such as illustration, painting, advertising design, graphical arts, photography, sculpture, and other artistic expressions. In the last few years, even game design has become institutionalized. This means that the art of designing game graphics has become serious business.If the college is accredited it will grant you a Bachelor’ degree in Fine Arts or a B. A. in Fine Arts or some other certification and degree.A successful future in the Arts industry depends on choosing the right school to hone your talents. When choosing an Art school, consider the following factors.What Can You Benefit from an Art School?You may be tempted to think you will be able to wing it through a career without any formal training. That is possible. However, since industries are constantly looking for professionals who can abide by industry standards, those with Art degrees get a competitive edge. Also, in Arts school you learn from other professionals what these industries expect of their artists. This helps you be more prepared for work with professional companies.Art school will also benefit your art technique. Your innate talent will benefit from the proven concepts and techniques you can learn here.Art school also develops in its students a love and appreciation for the different forms of art. It opens to the student new vistas of learning and expressing. Even if only for that reason, Art school would be worth every penny paid to it.What You Won’t Learn at Arts SchoolArt school, however, will not teach you passion and drive. You must have both and mix them with your innate talent and hard work. You have to develop an intimate relationship with your profession to be able to maximize your potential.Choose a SchoolDifferent schools have different strengths, find a school that plays to your strengths and has specialization in the field of your choice. Some will have a style of teaching that maximizes your skills. Some will expose you to techniques that will make you twice a better artist than you already are. They key here is for you to know yourself. Know how you learn, what interests you, what your tendencies are. This will help you visualize how you will react when faced with the rigors of school.Meet New Friends!Do you know that at art school, many of your colleagues will go on to be successful artists? Everyone at your school will have varied skills and different strengths. Use your time as school wisely so that you get to meet these people and learn from them. They could learn a thing or two from you too!School is an excellent place to build professional relationships. When you all go out into the industry, your connections and friendships will be instrumental to your success.It would do no harm to start looking at the educational background of your admired artists. Checking out the schools they came from will give an idea of the sort of training these artists went through. From here, you may make decisions as to whether you would like to choose the same school as they did.The Verdict? Sign Up for an Art School TodayYour choice of school is an investment that will last you a lifetime. Proper care and investigation in choosing such is truly important. When you are comfortable with your choice of design school, you can now chart your path towards a successful career.Art school might be the most important decision you will make. Without proper training, your chances at success are greatly diminished. With Art schools you can be assured of a brighter, more artistic future!

Why Is Display of Art In Hotels So Significant? – Industry Arts

Are luxury hotels becoming fine art spaces?Art has been a part of the hospitality industry for a very long time now. Hoteliers have often had to embrace creative strategies to make a hotel standout. By placing interesting and eye-catching artwork throughout the hotel, they’ve offered an exclusive experience to their clientele.Artwork helps build the identity of a hotel and offers a superior aesthetic experience by creating inspiring and stimulating ambience. While the smaller accommodation options prefer cost efficiency and core amenities, artwork is almost integral to luxury, boutique, and design hotels.The Need for ArtArtwork is a representation of the society because they served both as functional and symbolic elements. While some may say that art is a display of their ethnic sophistication, for some it may be more of an individualistic expression. As a functional element, artwork is utilized for psychological and healing purposes, for social causes, and even as a mode of communication. Personally, they connect people to their roots or the broader human condition. Artwork also evokes curiosity, interest and provides an exuberant experience.Elevating the Style of Hotels through ArtworkCurating art for a hotel is often done by the hoteliers themselves, and, for this reason, it often reflects their values, creativity and the theme they are tying display. There is a separate budget earmarked for this purpose, and even though the investment in art is limited, it has given rise to different types of marketing strategies for hoteliers.Use of paintings, sculptures or creative features in hotels, is without a doubt an effective way to revamp its look without investing in the structural changes, which could prove to be more expensive and time-consuming. Hoteliers who are experienced often say that simple changes in the color of the walls or the readjustment of the furniture can visually expand the room by as much as a feet. In fact the rooms that have framed artwork by famous painters are more expensive than others.Integrating Artistic Communities and Galleries with HotelsFamous luxury hotels are generally aided by the artistic community for new and exciting artworks. This helps hotels remain up to date with the latest trends while artists get a canvas to showcase their talents. It is a collaboration that is beneficial for both parties. As quoted by Paul Morris, the famous host of numerous international art fairs, including the Armory Show in New York City, “Hotels really can’t get away with putting mallard prints on the wall anymore. Therefore they need to tap into the artistic communities for help.”Independent art consultants and interior designers are also known to frequently collaborate hotels. Not only do they help define the look of the property, they are able to source art locally from the best talent and get it at a great bargain. With the help of interior designers and consultants, hoteliers are able to achieve new heights in creativity.Hotels That Have Brilliantly Integrated ArtIn these times, art has become fundamental to a hotel instead of just being ornamental or an element of its design. As a result, hoteliers are inspired to think outside of the box and curate art in the most exquisite and unexpected ways possible.Take for instance, the typical room at the Thompson LES hotel in Manhattan, which has an industrial-chic loft with exposed concrete columns and floor to ceiling windows. But what really catches your eye in the room is the artwork that hangs above the bed. It is a giant light box inside which there is a photo of a tree from photographer Lee Friedlander’s ‘Apples & Olives’ series. Stunning as the installation is, it also perfectly complements the organic setting of the room.In the past decade, hotels like the Wynn Las Vegas, Chambers in Minneapolis, the Sagamore in Miami Beach and the Grand Bohemian Hotel in Orlando have all displayed wide-ranging collections of art. The Gramercy Park Hotel, after being refurbished, has high-caliber artwork on display. In fact, the Museum of Modern Art is known to have taken a tour group to the hotel. I would call that high praise indeed!Abstract artist Lynette Shaw painted a series of eight serene, textured canvases as large as eight feet across for the lobby and restaurant at the Wyvern Hotel in Las Vegas. Today the artwork is the most attractive quality of the hotel. Other hotels with famous artwork include the Ace Hotel in New York with four art-centric properties. The Pod Hotel in New York also features frameless art. J. M. Rizzi, the artist, has painted city scenes and abstract shapes directly on to the walls of the lobby and the corridors.Most hotels commission and collect art that bring out the elements of the city inside the hotels. In some cases, they create a visual record of the rapidly developing neighborhood. For example in South Miami, the owner Michael Achenbaum commissioned Deborah Anderson, a London-based multimedia artist to shoot some of the area’s Art Deco architecture and also staged shots of tattooed models with ’50s hair and clothing. The photographer finally compiled 300 photographs, which were made into the 2,800 prints to be hung throughout the Gansevoort South.Art in Indian HotelsIf you’re wondering where India stands on incorporating art in the hospitality industry, we have some stellar examples of our own. And why not! Indians have a reputation for being artistically inclined and we have some of the most beautiful examples of architecture in the world. There’s absolutely no way that we’d be left behind when showcasing artistic talent on the walls of our hotels.Take for example the Falaknuma Palace in Hyderabad. In a land that’s famous for the creative sensibilities of the Nizams, the hotel does justice to its legacy and heritage. Falaknuma’s frescoed ceilings, carved furniture, and Venetian chandeliers have art aficionados in throes of ecstasy. The library in the hotel is a replica of the Windsor Castle in U.K. and is home to 6,000 books. You’re free to take a tour of the Falaknuma Palace accompanied by the hotel’s historian, who takes you through a trip back in time as he regales you with stories from days gone by.Yet another name that pops to mind is the ITC Maurya in the capital of India. As soon as you enter the hotel’s lobby, you’re greeted by the stunning visual spectacle that is Krishen Khanna’s ‘The Great Procession’ – a rich depiction of the vibrant life in India. But your artistic experience doesn’t end here. There are other exemplary works scattered around the hotel, including Tyeb Mehta’s ‘Bull in the Landscape’ painting and AR Ramachandran’s Ashoka ‘After Kalinga War’ – a sculpture etched with Ashoka’s anti-war inscriptions in Devanagri.There is no end to instances of brilliant exhibition of art in hotels. It is significant to their identity and being. In fact artists consider it an achievement to have their paintings hang at famous hotel chains. The mélange of art in hotels is what makes them an aspirational place where people want to spend their holidays. And in many cases, it forms an intrinsic part of the memories that a traveler carries back with him when he comes away from the hotel.

Visual Art Sells – How To Select Fine Art Media For Reproductions – Industry Arts

What makes art sell? Why are some artists making millions of dollars while others struggling to afford paint brushes? While there are many factors involved in the prosperity of one artist to another, by far the most critical is the aesthetic appeal the artwork itself. Simply put, the more visually appealing a particular work of art is, the better it will sell. Whether art is being shown as originals or prints, in a gallery or at an art show, the consumer is primarily influenced by the visual appeal of their prospective purchase and subsequently, its perceived value.Publishers, printmakers, framers, gallery owners, and of course the artists themselves all (directly or indirectly) profit from art sales. Collectively they share a common goal of selling art; while individually they strive to create a rich environment for art sales to take place, at the greatest possible rate. The artist creates the most visually appealing rendition of their art possible so consumers will be drawn to it, the publisher prints the best possible catalogue to increase exposure and prestige; framer matches the art with a frame that becomes an visual extension of the painting, and the printmaker produces the most vibrant, accurate, and sellable print possible through equipment selection, experience, and talent. While each of these players is involved in the overall sell-ability of art, the purpose of this article is to focus on the printmaker and his/her influence on the visual appeal of a fine art reproduction.As a printmaker there are an overwhelming amount of variables involved in reproducing a sellable print. Aside from experience, knowledge, and raw talent, which are extremely important, a profitable printmaker learns to intelligently blend controllable variables with uncontrollable variables to reproduce the best possible prints. Controllable variables are aspects of the process that can be objectively defined in absolutes values. For example, a printmaker can determine the absolute highest black density (DMAX) or widest color gamut that a particular substrate or ink is able to achieve, thus creating the most visually appealing print. These data are measurable facts, not a matter of opinion. Uncontrollable variables are also a key contributing factor in creating the visual appeal and sale-ability of an art reproduction. Unlike the controllable variables, these rely primarily on subjective opinions such as media weight, thickness, white-point, texture, and substrate type. While many artists have preconceived preferences, the most successful printmakers are those who influence this process with personal experience and industry knowledge of market trends. Mark Leftoff, President of Gallery Street (gallerystreet.com) in Atlanta, GA provides some recommendation on how to add as some objectivity to this process.”First, select a media type and finish that, based upon the history of successful art pieces, will best suit a particular image. We typically recommend canvas first because with a higher perceived value to the end consumer, it can be sold at a higher price or in greater volume which in turn creates more financial reward for our customers. If a customer prefers to use matte fine art paper, we may even print some small swatches on different media in order to find a fit for their image that we all believe will result in the most success. We encourage our customers to test market these samples by getting some opinions from a handful of their own customers who will be buying the art. We believe that by including more professionals in the process we can minimize risk and more accurately assess the marketability of every print. It is in this manner that we work alongside our customers and together make educated business decisions on how to select the best media for every print job.”The most successful printmakers typically select a standard “in house” media based upon objective testing and industry experience. Most have chosen a smooth fine art paper, a velvet finish paper, a heavily textured paper, and a canvas or two. A couple of different weights and finish are usually offered as well. This enables them to accurately match the proper media type, texture and weight, with a particular image to maximize sell-ability. It is also important for the artist to offer a couple of different options to their prospective art buyers/gallery owners to determine the most sellable option. When selecting which brand of media to permanently offer to their artists, these decisions are based upon controllable variables or hard facts such as determining which substrate produces the best colors, the best blacks, shows the best detail, and will last the longest.”By far the most important considerations in using any given fine art media on the market are color and longevity. This means that above all, our media must be measurably superior in achieving the widest color gamut and highest Dmax possible. In this business, color can make you or break you. This guarantees MFA Talon Graphics that the paper we are using produces the best color on our reproductions. Then we must consider how long the color will last without fading or yellowing. MFA Talon Graphics chooses fine art media from a ‘quality in, quality out’ perspective. This is how we continually deliver on our promise to our customers,” says Teddy Blah (Head Printmaker at MFA Talon Graphics of El Segundo, CA).While many printmakers may wrestle with the decision of which media to stock, or learn through a process of trial and error, the most profitable and experienced printmakers understand one important fact – art sells based upon how it looks. Those who offer a wide range of high-performance substrates and have the industry knowledge and market experience to suggest which substrate is most suitable or sellable with a particular image will be the most profitable. By offering substandard media or selecting the wrong substrate for a particular image, not only are you devaluing your own quality and expertise as a printmaker, but also that of the artists themselves. This will inevitably result in the loss of printing business to a competitor. With the exponential growth of the printmaking industry, every competitive advantage must be pursued to ensure the prosperity of your small business. Therefore, the key to success as a fine art printmaker is to produce the most visually appealing, archival, and sellable prints possible.

The Dangers of Moving Fine Art – Industry Arts

There are a number of good reasons why somebody might want to move art work. It could be a museum getting a new exhibit from a foreign country. It could be an temporary exhibition on a world tour. We see also more and more galleries and wealthy individuals acquiring expensive pieces of art and therefore having to move them for a number of personal reasons.The top most important dangers when moving fine art are:1. Direct physical forces: shock sustained by a dropped crate full of Fabergé eggs or vibration from a bad truck.
2. Incorrect temperature: not planning the route well can cause your fine art to transit from hot and humid places to dry and cold ones, potentially ruining your art pieces.
3. Incorrect humidity: this is of course related to the quality of the packing and the route that is planned for the shipment.
4. Pest issues.
5. Water.
6. Vandals and thieves: fine art is most at risk of being stolen when it is moving, when it is not in the safe compounds of the gallery or museum.The fragility of art has never been a secret, but it wasn’t until the 1970s that art packing and transport got serious, as museums began applying standards developed by the military and the electronics industry to packaging treasures. As art values shot skyward in the ’80s, a group of institutional professionals made an effort to codify the tricks of their trade. The effort resulted in “Art and Transit,” an international conference held in London in 1991. “If you have ever wondered what happens to the painting inside the packing case when it topples off the tailgate of a truck or is rammed by a forklift, then this was the conference for you,” reads a summary by the American Institute for Conservation of Historic and Artistic Works.Moving art is especially difficult because of the very different nature of all the art. Fine art can be a small 10 by 10 painting and it can be a large 20 meters sculpture that is hanging from the ceiling of a big gallery. You obviously do not attack the problem the same way. Moving fine art is therefore considered as an art in itself because very often the solutions do not come already made in a text book. Experience and creativity comes in handy.If you are working in this field you can learn more about the mistakes of others and share your experience of moving fine art [http://www.finearts-movers.com].

A Booming Indian Art? – Industry Arts

Let us start with some figures and facts:(a) The global art market is worth about US$ 40 billion (Rs 1,70,000 crore).(b) The Indian art market is worth more than US$ 0.24 billion (Rs 1,000 crore).(c) The Indian art market has grown from US$ 2 million to a US$ 400 million market over the last seven years.(d) From the benchmark year 2003, the Indian art market is growing at an average rate of between 20-30 per cent an year.(e) A recent report by Fortune claims that the Indian art market has risen over 485 per cent in the last ten years, making it the fourth most positive art market in the world.(f) Other than the auction houses Sotheby’s and Christie’s, about ten galleries in New York, London and Singapore – added to the hundreds of galleries in Delhi, Mumbai and Kolkata – are now dealing regularly and exclusively with Indian art.(g) Work by an Indian artist that sold in the late 1980s for perhaps $2,500 can now fetch more than $1 million.(h) The average earning of a resident Indian is US$ 440 per year (Rs. 1,727 per month)There is a phrase floating around in the Indian artistic community, especially in the hangout joints of young artists, which someway reflects the present status of the contemporary art scene in India. The phrase is that the artist who cannot sell his /her work today will never be able to sell any work in their entire lifetime. The meaning is transparent enough. The present Indian art market has achieved a huge growth and it is not showing any reverse trend even after record inflation figures has hit the Indian economy. According to the Director of Saffron Art Minal Vazirani, the buyers who purchases Indian art today is different from a common buyer of general commodities because their money comes from accumulated wealth, not from earnings. Therefore, the present high inflation does not affect their purchase power.This primarily money driven art scene is breeding a different class of artists today. To gain the highest mileage of the time, these artists are producing their art fast, without having a genuine artistic credo, trying to compete with their contemporaries who may have recently succeeded to sell his/her art for a generous amount. There is a second trend of faking the visual imagination of a well-reputed and worthy senior artist as low-key buyers and galleries prefer these dummy works because they are available cheap. The third is the crudest: just forge an artwork. Commercial galleries are mainly interested in turnover of sales. They could be selling anything for profit.The prices of young artists had shot up too much and too fast. Indeed, for the bubbly young geniuses, quietly breeding in the dark chambers of the various art schools of this country this is a damn good time. They can earn easy money now by doodling anything on paper or canvas, without much of the efforts their seniors had put in their early days. Today there is a class of stupid buyers having little of no knowledge about what they are buying but are assuming that the value of their purchases will be high within a short time.However, they can make very little distinction between a good and a mediocre art; to distinguishing a fine art and a mere decoration piece is also difficult for them. They are unaware to the general art history of India, may not even know the name of pioneers like Abanindranath Tagore or Nandalal Bose. Most of them are targeting art like real estate or stocks with an additional possibility of the glorifying opportunity to be able to enter the upper stratum of the society. The media is also part of the hype and actively been promoting this notion of investment and huge percentages of yearly returns. The leading Indian media group ABP Ltd is already running an art business house, CIMA from the year 1993 for the similar purpose.The price of Indian modern art, broadly defined as art created between 1947-1970 has previously fetched higher prices than the contemporary art but the scenario has changed very fast in the last few years. The prices of the artworks of some of the contemporary younger artists are getting closer to their worthy masters. Largely Indian collectors or collectors of Indian origin had fueled the boom for modern Indian art. On the contemporary part, the buyers are primarily resident Indians but also a new crop of non-Indian buyers are fuelled the sales.But there is another problem and this is a genuine one. Amin Jaffer, Christie’s International Director of Asian Art, recently commented in an interview (Seminar, October 2007) that, “…artists may be pushed to create works because they have received commercial success and cease to take chances or risks once they have figured a formula and that is when you start to see works being churned out to cater to a large demand.” This observation by someone like Jaffer establishes the trendy vendor nature of the successful living artists. They deliberately stagnate just to keep themselves selling. They continue to fetch high price and are therefore reluctant to come out from this vicious circle once they had entered. The younger artists will obviously stick on the same path. It is very difficult now to find a maverick in this rotten time where money is spoiled the creative impulse. An artist must earn money in order to be able to live and work, but he must by no means live and work for the purpose of making money.Let us conclude with the observations of the distinguished artist and scholar K.G. Subramanyan:”…..in recent years in the so-called post-modern world, the old divisions have lost their influence or relevance. This is due to the forces released by the communication industry that cross-lace forms once chronologically or geographically separate. In a sense its techniques have changed even the basic nature of art practice, leading progressively towards collaboration and multi-media work and edging out the importance of individualised autography.This has put art on the production line and given the art object the profile of a commodity, be it a privileged commodity.On another side, our burgeoning economy has spawned a whole crowd of speculators who want to trade in this commodity through art galleries and auction houses in the same way as they trade in shares. They have generally no inkling of (or interest in) a work’s aesthetic merit; their main concern is their resale value. Even those among them who are more informed and sensitive prefer to keep mum and submit to the market trends. In the overall picture, the artists have a better deal. They are no more lean and hungry. They attend lavish parties and get featured in the social columns of dailies and periodicals.Is this part of the cultural resurgence we have been speaking of? Or what some of those path-breaking thinkers of pre-independent India had tried to visualise? Unfortunately not.”K. G. Subramanyan continues:”But the winds of change we are riding on do not seem to be taking us in that direction. But this is important. The new economic well-being of certain sections of our people who are willing to be cyber-slaves of some developed societies in a globalising world should not divert us from this main objective. Clerks and managers can move around but artists and culture workers need solid links with their root-space to produce works of authority and resonance.”Suggested Links:
Seminar
Valuing art: The role of provenance and auction
Indian art paints a global picture
Invest in the booming art market!
India’s art market booming
India’s booming art market
Art Market Facts and Figures
K. G. Subramanyan article
Paradox of Indian art

Thinking About Joining The Film Industry? – Industry Arts

The world film industry is at a leisurely high production rate, making job opportunity in this area. What are the prerequisites for joining the cinematography industry. Job factors, education and background are the key challenges when looking into this area.In the modern era, young adults face a very open choice when entering the employment lane. The youth is targeted by a lot of contrasting views on where they should head in their future. Parents, government, teacher and idols bombard the youths with pressure as to where they should be. “Stay in school”, “work full time”, “Save every penny…” are old pieces of advice that are difficult to apply to the fast moving age that is the early twenty first century. The key is to work to learn, whether it be through Uni, school, work or experience, as long you are earning, the way that is most comfortable for you the money will follow. Thus with a strong education foundation you can make it in any profession and indeed film.It remains a large question as to how one should go about learning the industry. There are many lines of work in cinematography (video art, sound, post production, sales etc.) and so it’s hard to know where to start learning. It’s what suits you, university will teach you a lot but learn while working will give you a better feel for that line of work, in Australia often neither is considered better. “…without the knowing the rules, you don’t know how to brake them…” post production Bundaberg Channel Ten. While you might consider not learning all the rules and foundations for your trade, It’s near impossible to create a style that works for you when you cant define different from the average. The difficult choice may revolve around opportunity shortage.Uni is a difficult thing to get into. When trying to enter the arts it’s important to show your best side. Lecturer from the Queensland School of Film advises ” …the industry expects to see your best, if all you have to show that’s you best is 30 seconds of work, give them 30 seconds of work…”. It may be advisable to create a larger portfolio than 30 seconds however. Ring the nearest television station, document people in your surroundings, create a short film or as a general advis to all areas, work with what’s available, at least you’ll have done something productive. Male sure you make a Plan and set goals, if not it’d be like building a house without a design..it wont work.The world film industry is at a leisurely high production rate, don’t be frightening off by people scaring you off . What are the prerequisites for joining the cinematography industry. This is advice that for the most part can apply to most areas… maybe even investing or writing. I wish all the best.

What is Art Deco Jewelry? – Industry Arts

Art Deco is a term you are sure to hear if you are at all interested in antique or vintage jewelry.  The jewelry designs of the 1920s to 30s were greatly influenced by the Art Deco movement that was taking place around the world.  The term Art Deco was actually taken from the International Exposition of Modern Industrial and Decorative Art which was organized in 1925 in France.   Many famous designers and artists presented their wares to the public at this famous show.One of the biggest historical events to influence Art-Deco jewelry design was the discovery of King Tut’s tomb.  This inspired a wave of design that was very Egyptian in nature. Pyramids, serpents and spiders emerged as design elements. Advances in technology were also a definite influence as well which can be seen reflected in the designs of autos and airplanes that found their way into pieces of jewelry.Then, coming out of the First World War, the country was ready for a bit more flash and pizzazz.  There was a lot of geometric and abstract design used in all types of jewelry.  Favorite colors were black onyx, blue sapphires, green emeralds, and red coral and of course white diamonds.  Designs were bold and pieces were often big.  Pendants were often long and free flowing while bangle bracelets and cocktail rings were extremely popular.  The boyishness of the female wardrobe of the day also led to incorporation of other costume pieces such as cigarette cases and holders.There was money to spend at the end of the war and prior to the stock market crash, a lot of it was spent on jewelry and jewelry making.  As a result, many of the designs of the Art-Deco period were very luxurious.   Some of the world’s most renowned names in the industry emerged during this period.  Lalique, Cartier, Chanel, and Van Cleef are just a sampling.The economic times played the greatest role in the end of the Art Deco era.  The downturn of the early thirties led to a more restricted production of jewelry and designers were forced to turn to cheaper materials to produce jewelry items that a less affluent society could afford.Art Deco had another surge in popularity during the 1960’s when a new show was organized based on books that had been written about the original Art Deco movement.  The phrase Art Deco was actually first coined during this period.Today Art Deco reproduction jewelry is a very popular choice among wholesalers of jewelry both in rings and other pieces.If you liked this article, tell all your friends about it. They’ll thank you for it. If you have a blog or website, you can link to it or even post it to your own site (don’t forget to mention paradisojewelry.com as the original source).